The client has a great voice.
It’s true. Deep, rich and resonant.
But in the studio, and faced with a $3,000 microphone he turns into a quivering wreck.
He’s discovered that being a great voice over is not just about a great voice.
I’ve had the pleasure of working with some amazing voice artists and they are worth what they get paid. (although many will complain they don’t get paid enough by local radio stations)
The fact is, it’s not easy.
They have to read a script and make it sound like it’s not read.
They have to squish 34 seconds of verbage into 29.5 seconds.
They have to do take after take for the agency “producer” who wouldn’t know a great read from a jar of strawberry jam.
They have to deliver the same read, time and time again, with small adjustments, and remember what the producer didn’t like from the last take.
One moment they’re the voice of God, the next moment a talking dolphin.
And, they have to market themselves to writers and producers who already think they have enough talent on their books.
All with a smile.
So when a friend tells you you have a great voice and should be a voice over, by all means give it a try. But just because you can play chopsticks doesn’t mean you should give up your day job and become a concert pianist.
This month I will be attending VOX 2012 in the UK. It’s a change to meet the people whose mouths I am lucky enough to put words into.